Il conticello
The heart of "Il conticello" (the little tale) lies in Basilicata, Italy, where I came from, and it is a land steeped in superstition, tradition, and mysticism. Here, amidst the echoes of folklore that still reverberate through the cobblestone streets, I have found inspiration in the tales of my ancestors. From these whispers of the past, I have woven a narrative mosaic that blurs the lines between reality and myth, inviting viewers to immerse themselves in a world where the mundane and the magical converge.
At the core of the series are the faces of my family, immortalized in archival images that have been digitized and reimagined. Employing experimental techniques such as chemigram and monotype, I seek to infuse these portraits with a sense of timelessness, distorting and manipulating the photographic medium to mirror the passage of time itself.
To get deep closer is possible to uncovering hidden details through any magnifier apps with the smartphones to frame images and experiment with filters. This dynamic feature adds surprise and invites deeper engagement, empowering observers to become creators and enhancing their interaction with the artworks.
I prompt discussions on memory, identity, and belonging, encouraging viewers to reflect on what is closest to them, on the narratives that shape their lives. Interwoven with past and contemporary politics, the project seeks to counteract the inevitable fragmentation of culture and identity, preserving them while always leaving the door open to what will become, much like the regeneration that experimental contemporary photography could bring.
At the core of the series are the faces of my family, immortalized in archival images that have been digitized and reimagined. Employing experimental techniques such as chemigram and monotype, I seek to infuse these portraits with a sense of timelessness, distorting and manipulating the photographic medium to mirror the passage of time itself.
To get deep closer is possible to uncovering hidden details through any magnifier apps with the smartphones to frame images and experiment with filters. This dynamic feature adds surprise and invites deeper engagement, empowering observers to become creators and enhancing their interaction with the artworks.
I prompt discussions on memory, identity, and belonging, encouraging viewers to reflect on what is closest to them, on the narratives that shape their lives. Interwoven with past and contemporary politics, the project seeks to counteract the inevitable fragmentation of culture and identity, preserving them while always leaving the door open to what will become, much like the regeneration that experimental contemporary photography could bring.
